Many stained-glass windows were never installed, and today are displayed in Sarah’s storage room.Ī set of three beveled-crystal windows was commissioned in 1890. Flowers are common, too, and carry meaning: chrysanthemums stood for truth and grief, lilies for devotion, and sunflowers for good luck. Concurrent with the Aesthetic Movement, a derivative style called Anglo–Japanese soon emerged, blending asymmetrical geometry with such oriental motifs as bulrushes, waves, crescent moons, stylized “cracked ice,” owls, dragons and sea serpents, frogs, and spider webs. Look up! Decorative Ceilings That Inspireįollowing the opening of Japan by Commodore Perry in 1853, Japanese art and objects were displayed and admired in England and America. Lincrusta is sold unfinished and meant to be paint-decorated: to resemble tooled leather or carved wood, or to be polychromed, glazed, or gilded. Following the Aesthetic mantra of More Is More, Winchester covered ceilings, dadoes, and entire walls in a riot of patterns to create rooms rich in texture and stylized ornament. Patterns range from Celtic knots to Anglo–Japanese waves and moons. Around 70 rolls, many still in their original wrapping, are displayed in her storage room. Sarah Winchester fell in love with Lincrusta, and bought dozens of rolls in myriad patterns, more than she could ever use. (A similar wallcovering made of embossed paper is called Anaglypta.)Ĭomplex patterns are a hallmark of Aesthetic interiors here, the wood cove has gilded beading and carved sunflowers. Similar to linoleum-patented by Walton in 1860-Lincrusta is embossed with steel rollers to create a decorative, three-dimensional surface. Metallic paper, wood trim, a Lincrusta dado, and hand-worked lace come together in the dining room.Ī sturdy wallcovering made from linseed oil and wood flour, Lincrusta–Walton was invented by the Englishman Frederick Walton in 1877. Besides all the trim, woodwork extends to ball-and spindle spandrels and decorated balustrades on verandahs and balconies.Ornamental carving includes motifs from starbursts and sunflowers to more geometric Eastlake designs.Shingles on roof and walls may create patterns or be polychromatic. Surfaces burst with texture and embellishment: fancy-butt shingles, pebble-dash stucco, half-timbering.Windows are generous in size and variety: find irregular shapes, muntin patterns, bows and bays, oriels, horseshoe windows, and Queen Anne sash with multiple square panes, often with colored glass.
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